Showing posts with label oil. Show all posts
Showing posts with label oil. Show all posts

Wednesday, 15 March 2017

Workshop in Tuscany June 3 - 10th


Improve your paintings while enjoying your vacation in Italy.



Discover how to paint a plein air in just 20 minutes.

Italy has always been the first choice location for artists who flock here from all over the world to experience the light, friendly people, good food and verdant Italian countryside. 

Tom J. Byrne will be demonstrating painting techniques to both beginners and more established plein air painters, using oils and watercolor this June 3rd - 10th in the beautifully converted Watermill at Posara along the river Rosaro. It offers very comfortable accommodation with a great chef, comfortable quarters and good company.

Painters will visit local beauty spots to explore painting opportunities with their easels and demonstrations will take place both in the villa and on site. From very quick study methods to more elaborate painting techniques. We will focus on composition. 20 minute painting studies in both oil and watercolor. Best practice in laying in a plein air painting. Under painting for plein air and alla prima in oil. How to use watercolor in wet on wet and color layers.

http://watermill.net/painting-holidays/painting-holidays-tutor-tom-j-byrne17.php


For more information visit the Watermill
http://watermill.net/painting-holidays/painting-holidays-tutor-tom-j-byrne17.php

Monday, 4 January 2016

William Turners intriguing Seascape

While researching one of my favorite landscape painters, William Turner, I learned a little about the back story of one his seascapes which now resides in the John Paul Getty Museum.

I was studying his painting method when I noticed something odd about the painting and discovered that Turner was also a master of hidden messages.




Title: Van Tromp, going about to please his Masters / Getting a Good Wetting.
Painted in 1844 using oil on canvas on canvas. The painting measures 92.4 x 123.2cm.

Admiral Von Tromp

The scene, like many other great Turner paintings, has few defined details and almost no hard edges. Despite this there is enormous energy and our imaginations are swept up in the impression of waves crashing together. We imagine that we can see the sailors aboard and feel all the ships being battered about.

On closer examination that is true of one ship with a sailor tipping his hat to an audience looking out from other vessels. But the other boats are in calmer waters.

How does Turner create this contradictory visual impression in the same painting and why?

Lines:
Turner uses the patterns of lines very cleverly. The masts, twisting into the sky give the impression that all the near ships are being tossed about on the waves. They point into the sky in opposing directions as though they were on the crests of opposing, clashing waves. The waves in the foreground support that impression by rolling and cresting in dramatic fashion.


Closer detail:
When we look a little closer, following the view of the sailor we see that his audience are in fact in boats resting in very calm waters. They are also using oars, with no need for sails. So the sails are just for show. Turner has used them like a magician, to give the impression that all boats are in the same waters, together.


So what could this painting be telling us?
The military gun boat in the distance might offer a hint.

When the back story is known this scene makes some sense and it's clear that the painting contains a message.

The sailor tipping his hat is Admiral Von Tromp whom Turner was an admirer of. Von Tromp was dismissed from the Dutch naval service in 1666 after failing to follow orders. This failure would later prove to be his saving grace.

Quoting the J. P. Getty Museum:
"Van Tromp was reinstated in service and reconciled with his navy superiors in 1673. In perhaps a symbolic overture signaling his submission to authority, Tromp is shown, in Turner's words, "going about to please his Masters."

The warship in the distance suggests a threat of military enforcement and the people viewing from the ships in calmer waters may be his military superiors with the Dutch West Indian shareholders. So the painting, on closer examination is probably a story of political and commercial interests bringing an adventurous spirit to heel.

To learn more about the backstory, which is rippling with intrigue, follow this link & scroll down to the engraving of the St James day Fight. A short overview of the life story of Cornelis Tromp here.



Tuesday, 29 December 2015

Artists who paint in Italy - Mary Pettis

Mary Pettis is a plein air painter who visits Italy for it's magnificent Plein Air painting opportunities. 

Firstly, we would like to congratulate Mary for her recent award and fabulous painting which won 3rd place in the "En Plein Air Texas" Painting Competition. She painted this scene en Plein Air with no photographic reference, over a 4 hour period.

Her strategy for capturing this moving artistic feast was to know the goats eating habits in advance, where and when they were fed. She shows her process in her color sketch (see below). Laying in the important elements, separating light and dark forms on her canvas and positioning important objects. As a goat would move into a convenient position, she painted it in using very simple light and dark shapes. The completed oil painting is magnificent and it's amazing what can be achieved with a good plein air strategy.

Mary sitting with the 3 winning paintings. Hers is titled:
Breakfast at Treva's - oil by Mary Pettis.




The initial stage. Sketching in the main forms and shadows on the canvas, including the person in the distance.
The completed oil painting. Quiet spectacular. 


She also recently visited, Cinque Terre, Italy with a group of artists and I wanted to share some of her photos which describe the adventure. They give an idea of the great beauty, light and painting potential of Italy. Mary allowed me to share the following images and her descriptions below.


The artists waiting for the bus to Monterosso.

One hour sketch demo from the hotels garden terrace.
Moments of solitude...
This lovely Italian woman (seen above) popped open her window and started calling down to us in Italian; she was showing off her flowers and the beautiful steps up to her house (seen below). I asked if I could paint it for my demo and she was joyous! She went on calling down to me, pointing and telling me where I should stand to get the best view.
 When I was done with my 1 hour sketch, seen here, this lovely woman re-emerged asking to see the finished painting. I showed it to her and she gave me a huge smile and two thumbs up.



For more information on Mary and her art you can visit her blog at http://marypettis.blogspot.it/

Sunday, 27 December 2015

The Tuscany Plein Air Villa in 2016

Welcome to the Tuscany Plein Air Villa in 2016.

This magnificent villa, which is very close to the city of Florence has been carefully chosen for the landscape painting opportunities it presents. It's extremely beautiful and comfortable. The landscape and access to it were the deciding factor. It's a magnificent building and also very exciting.

Around the grounds there are beautiful painting and sketching spots within a few feet of the main entrance. Olive fields with vistas of Florence, a local village with historical churches, views of other villas, interesting designated public hiking areas, a nearby bar and small restaurant. The villa also has wifi.





Cresting a hill, the villa is surrounded by landscapes on all sides.



Inside, it's tastefully decorated and very comfortable.
One of the most exciting elements are the painting opportunities which the tower presents. With 180 degree views of the Tuscan hills and valleys, the tower provides an impressive location for workshops on landscape painting principles such as ariel and drawing perspective, color mapping, speed painting and more. Once the principles are grasped artists can search out views, set up their easels and create art in nearby locations. The principles taught apply both to oil and watercolor paints or any media. Complete with fresh coffee or a glass of wine, this tower makes early morning and late evening painting, very convenient. 

 

The villa is very large, with several comfortable locations to gather, share a meal and talk. 


Bedrooms are also very comfortable and most have their own private bathroom.


As for the gardens, they are beautiful with seating areas looking over the valley below. A private swimming pool on a lower level and al-fresco dining table on the terrace for evening meals and breakfasts. We are here to learn and enjoy creating art and there is no harm in feeling pampered. 

 

To see more photos of the villa follow this link.

The countryside around the villa is also very beautiful. Photos were taken in October and an article will be published later. The autumn it is excitingly beautiful. Spring will no doubt be quiet awe inspiring.

Saturday, 26 September 2015

A special thanks

We were very lucky to have great helpers in this event and we'd like to thank them.

Chiara Perondi

Among the best was our brilliant housekeeper Chiara Perondi, without whom we would have been lost. She anticipated our every need and was a real part of the art family during the week. If you would like to contact Chiara for your private events you can find her on facebook at this Link.

We were also blessed with fantastic cooks. We referred to them as our Italian Mamas. No fuss. Just beautiful food and great fun.

Cooking with Carlotta.


You can contact Carlotta through her website or her facebook page.

www.cookingwithcarlotta.com
https://www.facebook.com/cookingwithcarlottacom-530554536997385/timeline/

Friday, 18 September 2015

First Few days at the Villa

We've been painting at the villa for the last week and it's been quiet a pleasure as well as a great painting experience. The art guests have come from all over the world. Canada, the USA, Ireland and Australia and everyone is enjoying the experience as well as perfecting their art.

Guests have been very surprised by the quality of the experience. We're not blowing our own trumpet here, it's been the topic of conversation at many evening meals. Some of which have been in the villa and others in local restaurants. In the villa we owe thanks to our cooks and to the great assistance of Chiarra Perondi who has looked after the house every day while we've been painting.

We've visited the gardens of the Corsini Family as guests of Donna Georgiana Corsini who is also a painter. The original plan was to visit many different locations around Florence to paint but the fact is that everyone is so enamored by the location that no one wanted to leave, so we have mostly painted from the villa every day. It has amazing views and painting opportunities.

Here are a few photos from the last few days. We will be finishing up on Sunday. It's been a great experience so far and bodes well for future events.

Meeting for the first time in Florence before visiting Zecchis for art supplies. 
Our first evening at the villa. Eating on the terrace under the stars.
Our Australian artist, enjoying her visit to Florence.

Painting in the Corsini Gardens, Florence.

Choosing a view from the villa.

Explaining color mixing and values.

Very glad to have a watercolorist among us.

Color mapping a scene.

Our scholarship winner at work studying the landscape

In the Corsini Gardens

Wild tortoise wander all over the Corsini gardens. It's obviously a very old tradition.

Study of a statue in the Corsini Gardens.


A part of the panoramic view, every day.